FOREVER FEMALE

They say the lights are bright on Broadway...
It's William Holden night, here at Chez Sixpack... Here, Holden stars as a brash, principled playwright who hitches his star to a famous-but-fading broadway star, played by Ginger Rogers. Rogers's Beatrice Page is an interesting character -- she's at the top of her game, but only for as long as she can keep up appearances and fend off her younger rivals. Among these is a chirpy, headstrong, would-be starlet (played by Pat Crowley) who attaches herself to Holden's coattails, at first out of mere opportunism, and then for true love. The Holden character is a bit too mannered -- too anchored in the old, pre-'60s fixation with The Moody Writer as a great dramatic character; Crowley is herself a bit irritating as well -- this was supposed to be her big breakout role, but she's a bit too perky and Annette Funicello-ish, and may get on your nerves. At the heart of this film, then, is Ginger Rogers, along with Paul Douglas as her ex-husband, a Broadway producer who's still...

ALL ABOUT PAT.
Bill Holden plays a young supermarket employee who writes a play about a young girl and her forceful mother; later it is produced by Paul Douglas for his ageing actress wife, Ginger Rogers. Lots of bright lines - with inside jokes for show people - coupled with snappy supporting performances by Patricia Crowley, James Gleason, George Reeves and, in an entertaining cameo, Marjorie Rambeau - playing herself - make for an entertaining 93 minutes. The then 42 year-old Rogers overacts a tad, but not enough to make the viewer wince. In an excellent portrayal, Patricia Crowley seems to play Eve to Ginger's Margo in this fast-paced and funny adaptation of Sir James Barrie's play ROSALIND. Modernised to 1953 standards and given several twists, it seems purposely reminiscent of ALL ABOUT EVE - in a harmless, light-hearted way.

Great stuff
A very thought prevoking film. Why is it that to be the wrong side of forty for a women means having to lie about your age to keep getting the parts, as Ginger Roger's character has to do to maintain good roles in this movie. Still a beautiful woman, mature yes, but still able to hold her own amongst the best of them. I wonder if the male population had to go through the same it would change the view of getting older as being acceptable in the cinema and theatre. I hope attitudes have changed since this movie was made in the early 1950's, I think it has, thank goodness for that.

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